Based in the Netherlands and rooted in the post-production world, I’ve built a career working for some of the biggest names in global media — including Disney, National Geographic, Netflix and Samsung — as well as leading Dutch broadcasters and production houses such as ITV, Banijay, IDTV, Fremantle and BNNVARA.

As an editor, I shape narrative arcs in the edit suite — from documentary series like Kustwacht Caribisch Gebied for National Geographic to primetime entertainment like House of Glory and Ewout: for RTL and Videoland. As a finisher, I polish those same stories to broadcast standards, with credits ranging from Red Bull’s Stalen Ros to campaigns for UNESCO and Bol.com.

But my work doesn’t end in the edit bay. In recent years, I’ve increasingly been asked to build post-production pipelines in the field as an onsite media architect, alongside doing onsite edit work on location. Wherever a production takes me — a mountainside, a beach, the middle of nowhere — I make sure every terabyte of footage stays safe, organized and ready to cut.